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Title | : | Sahara (Dirk Pitt #11) |
Author | : | Clive Cussler |
Book Format | : | Paperback |
Book Edition | : | Special Edition |
Pages | : | Pages: 400 pages |
Published | : | January 11th 2005 by Debolsillo (first published June 1st 1992) |
Categories | : | Adventure. Fiction. Thriller. Action. Mystery. Suspense. Mystery Thriller |
Clive Cussler
Paperback | Pages: 400 pages Rating: 3.96 | 54352 Users | 929 Reviews
Description In Pursuance Of Books Sahara (Dirk Pitt #11)
1996, Egypt. Searching for a treasure on the Nile, DIRK PITT thwarts the attempted assassination of a beautiful U.N. scientist investigating a disease that is driving thousands of North Africans into madness, cannibalism, and death. The suspected cause of the raging epidemic is vast, unprecedented pollution that threatens to extinguish all life in the world's seas. Racing to save the world from environmental catastrophe, Pitt and his team, equipped with an extraordinary, state-of-the-art yacht, run a gauntlet between a billionaire industrialist and a bloodthirsty West African tyrant. In the scorching desert, Pitt finds a gold mine manned by slaves and uncovers the truth behind two enduring mysteries -- the fate of a Civil War ironclad and its secret connection with Lincoln's assassination, and the last flight of a long-lost female pilot....Now, amidst the blazing, shifting sands of the Sahara, DIRK PITT will make a desperate stand -- in a battle the world cannot afford to lose!
Mention Books Toward Sahara (Dirk Pitt #11)
Original Title: | Sahara |
ISBN: | 030720961X (ISBN13: 9780307209610) |
Edition Language: | Spanish |
Series: | Dirk Pitt #11 |
Characters: | Dirk Pitt, Al Giordino |
Setting: | Mali |
Literary Awards: | Japan Adventure Fiction Association Prize 日本冒険小説協会大賞特別賞 for Best Translated Novel (1992) |
Rating Out Of Books Sahara (Dirk Pitt #11)
Ratings: 3.96 From 54352 Users | 929 ReviewsCriticize Out Of Books Sahara (Dirk Pitt #11)
Overdone and convoluted. Though certainly containing some intriguing mystery, the writing is very bland and unexciting; the action is ridiculous and unnecessarily violent; the dialogue is flat and limited to lengthy tech talk that would make a star fleet engineer's head spin; and the character development is basic at best. Furthermore, this book is pretty sexist--take this passage: "Like most women, Eva couldn't resist a take-charge man." On the other hand, the movie is actually way better, andAs I read, something was bugging me about Cussler's writing style. I realized what it was after about ten chapters: All of his characters sound exactly the same. With the exception of a "Jolly good!" thrown in when a character is English or an "Allo, mate!" when he's Australian, every person has the same speech patterns. It's as though all dialogue in the novel is spoken not by the characters, but by Clive Cussler himself. On several occasions, inevitably, they break into museum docent mode and
Another great Clive Cussler book. I really liked the crazed-zombie-style aspect of the Africans that got contaminated. There's also the stellar opening, which is really what makes these books so good - they pull you in quickly with that historical fiction.I read this a few years after watching the movie, and after I'd read the other 10 books. It's a good read, and I'd pick it up in your used bookstore (do we really need another 90 million of these in print?)

Ive read a lot of these Cussler books, and while Ive enjoyed them all, I have to tell you, this one is my absolute favorite.Critics of this series will be quick to point out that Dirk Pitt is just too hard to believe. Hes a myriad of super heroes all rolled into one flawless man. But my experience tells me that once in a while, its ok to give into flights of fancy and to believe unabashedly in flawless super hero types.A nasty oxygen-devouring red tide has spawned off the coast of west Africa,
This is the first book I've ever read that the movie is much better than the book. Skip the book, see the movie. Mr. Cussler redundantly over-explains even the most simplistic and obvious things and doesn't take full advantage of third person prose or even simple dialogue. His use of a dozen different plots is exhausting and completely unbelievable. In one book our hero saves the world from total oxygen depletion, takes down a dictator's regime, discovers a Civil War ironclad in the middle of
Okay. Statements like this got the feminist inside of me all sorts of angry...'Like most women, Eva couldn't resist a take-charge man.''Like too many women who are drawn to aloof men who treat them indifferently, she could not help herself from falling in love with him.''Strangely, it was Pitt and not the woman who saw a magnificence in the parched and hostile landscape, despite the fact that it had almost killed him.''To a man, the Aussies climbed the steep bank to express their thanks and
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