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Title	:	Chimera
Author	:	John Barth
Book Format	:	Paperback
Book Edition	:	Special Edition
Pages	:	Pages: 308 pages
Published	:	November 20th 2001 by Mariner Books (first published 1972)
Categories	:	Fiction. Fantasy. Literature. Short Stories. American. Novels

Chimera

John Barth

Paperback | Pages: 308 pages

Rating: 3.73 | 1974 Users | 121 Reviews

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By the winner of the National Book Award and bestselling author of "The Tidewater Tales," three of the great myths of all time revisited by a modern master.
Dunyazade, Scheherazade's kid sister, holds the destiny of herself and the prince who holds her captive.
Perseus, the demigod who slew the Gorgon Medusa, finds himself at forty battling for simple self-respect like any common mortal.
Bellerophon, once a hero for taming the winged horse Pegasus, must wrestle with a contentment that only leaves him wretched.

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Original Title:	Chimera
ISBN:	0618131701 (ISBN13: 9780618131709)
Edition Language:	English
Literary Awards:	National Book Award for Fiction (Split award) (1973)

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Ratings: 3.73 From 1974 Users | 121 Reviews

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dnf - not a big fan of mythology or metafiction so it appears CHIMERA and I were not meant to be together. Ah, it's alright, Mr. Barth, THE FLOATING OPERA was fantastic and I'll be reading END OF THE ROAD and SOT-WEED soon.

Chimera is my first introduction to John Barth. It consists of three interrelated novellas, the first based on 1001 Arabian Nights and the other two based on Greek mythology. Chimera was also, I believe, my first introduction to meta fiction, where part of the story being told is the creation of the story. There is a lot going on here, a lot to get your head around, and I will be the first to admit I only comprehended some of it. Let's start with the basics, though. When John Barth is just

I don't even know really where to begin with this book, except to say that it is the epitome of "meta-" if there ever was one. Judging by what I've read about Barth's other works, "meta-" seems to be his thing.In Chimera, he retells 1001 Nights, the myth of Perseus, and the myth of Bellepheron with the intention of exploring why we continue to study the myths while simultaneously recasting them in a post-freudian language that tries to flesh out how such things could actually come to pass (which

Irrefutably brilliant but this poor reader had difficulties following the complex narrative structure.

This book is a very mixed bag for me. The first of the three parts is beautiful, funny, witty and insightful. It's also by far the shortest and most successful. Part two, focused on Perseus, is an enjoyable little romp, if perhaps not as poignant as the opening story and certainly not as tightly written. Part three, however, is what knocks stars off my ranking for this book, as Barth launches into a cascade of silliness and post-modern literary pyrotechnics that, while intellectually

"I'm full of voices, all mine, none me."This book is a work of absolute genius. Love it or hate it, no one could deny that Barth's mind is astonishing. Chimera's complex layering, nesting, spiraling, and spinning, its stories-within-stories-within-stories, its use of palimpsest, pastiche, and collage will leave me reeling for days. A deliciously mind-bending piece of metafiction that will make you think about myth, narrative, and the self in entirely new ways.

This was a hoot - three linked novellas each drawn from much older traditions, one from The Arabian Nights and two from Greek mythology (the careers of Perseus and Bellerophon, respectively). There's too much deconstructionist wankery in here for me, personally; I'm not all that interested in theories of narrative, texts that are aware of themselves, et cetera, and the author's occasional appearances in his own story come off as indulgent, but then again... a chimera is after all a conjunction