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Title	:	Min kamp 3 (Min kamp #3)
Author	:	Karl Ove Knausgård
Book Format	:	Hardcover
Book Edition	:	1st
Pages	:	Pages: 422 pages
Published	:	2009 by Forlaget Oktober AS
Categories	:	Fiction

Min kamp 3 (Min kamp #3)

Karl Ove Knausgård

Hardcover | Pages: 422 pages

Rating: 4.18 | 9213 Users | 750 Reviews

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MIN KAMP 3 er en roman om barndom. En familie på fire, mor, far og to drenge flytter til et hus i et nybygget villakvarter på Sørlandet. Det er i starten af 1970?erne, børnene er små, forældrene er unge og fremtiden ligger åben for dem. Men på et eller andet tidspunkt begynder den at lukke sig, og tingene ændrer karakter. Hvem eller hvad er det, der ændrer sig? MIN KAMP 3 beskriver verden set med barnet Karl Oves øjne. Børn og voksne lever side om side, men mødes aldrig rigtigt. Venskaber, piger, skolens forunderlige univers og de pludselige og umotiverede stemningsskift i familien observeres og sanses i forsøget på at nå til en forståelse af verden og det, der ligger bag.

Mention Books During Min kamp 3 (Min kamp #3)

Original Title:	Min kamp. Tredje Bok ISBN13 9788249507061
Edition Language:	Norwegian
Series:	Min kamp #3
Literary Awards:	Independent Foreign Fiction Prize Nominee for Longlist (2015), Europese Literatuurprijs Nominee (2014)

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Ratings: 4.18 From 9213 Users | 750 Reviews

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"Time never goes as fast as in your childhood; an hour is never as short as it was then. Everything is open, you run here, you run there, do one thing, then another, and suddenly the sun has gone down and you find yourself standing in the twilight with time like a barrier that has suddenly gone down in front of you:"-- Karl Ove Knausgård, My Struggle: Book Three: Boyhood Island There is something mundane, yet otherworldly about Knausgård's third book. It exists on the island of Tromøy, a large

This is my favorite Knausgaard so far. It can be read as a standalone memoir of childhood. I often wish I felt things as strongly as I did in childhood, such was the pleasure of each new experience. But Knausgaard reminds me that, just as pleasure was more intense then, so was pain. And boy, did childhood have a lot of emotional pain. On second thought, strike that wish. I wouldn't be able to take it. A twelve year old boy can fall in love with as much intensity as a grown man can, even though

Book 3 of 6 of Knausgaard's unique autobiographical novel, My Struggle, sees him turn to more commonly trodden turf, namely recollections of his childhood. The uniqueness of the overall work lies in the minute detail in which Knausgaard recalls - or re imagines - even mundane aspects of his daily life. Knausgaard very much claims the books as novels, autobiography, saying 'It is an existential search where I use myself as raw material', but there is no attempt made to disguise names or

"In many ways the third volume of Karl Ove Knausgaard's fiercely-debated memoir is the smallest in both its scope and in its physical size and the most banal thus far. For a sequence of works which appear to be singlehandedly redefining the quality and value attached to banality in literature this no small feat. This section of the monumental work, published in the UK as Boyhood Island, focuses on Knausgaards life as a small child: his first experiences at school, his trips to the remote farm

I've been wondering why, when I read Knausgaard, I feel such a strong connection to his work. At first I believed it to be because of his thoughts and anxieties, those random bits I could relate to myself were indeed thrilling. But as I've read the third book in his series, I'm beginning to create a clearer answer for myself. Knausgaard's work has become increasingly important to me, and as I began to read Book Three, I went into it thinking I would probably love it for the same vague reasons I

[from Min kamp 2]Having now reached the halfway point in this controversial novel, I can't resist the temptation to speculate a little on the subject of what it's actually about. Contrary to what some people think, it is clearly about something: it's not a blog, or 3500 pages of free association. There's a definite structure, even if it is oddly difficult to say just what that structure is.(view spoiler)[Fortunately, most novelists who try their hand at something this long feel that they need to

This is a far more linear experience (there are only two contemporary interjections) than the first two volumes, and the structure is more conventional. This, I think, is because we are dealing here nearly exclusively with early childhood, and there is a great amount of generalization associated with that time. The feeling of that age is echoed in the writing, which takes on a different tenor here (abrupt sentences, heightened sensory description). K.O.K.'s father is as menacing as any father in